Author: Sarah Cox

In 2016 I ran the press desk at a sex robots-themed academic conference at a south east London university, and I find sex robots fascinating, so I was

With Stage Review’s editor, Anne Cox, still too traumatised from seeing the film as a teenager more than 40 years ago (yes, it’s true – ed), I was

Who doesn’t love a bad boy? Selfish, shallow, womanising, and with manipulative socio-pathic tendencies, John Gay’s early 18th century antihero in his satirical musical, The Beggar’s Opera, was

In 2004, the dying days of my teenage years, American rock band Green Day released American Idiot, a concept album expressing the disillusionment of young Americans in a

“Why can’t a mass murderer be just a bit diabolical?” screams Jake Curran’s powerfully intense police inspector at a cowering John Christie. “Why can’t a pervert like you