There’s not a scrap of love in this house! It’s intolerable. Githa Sowerby used her own upbringing as the daughter of a Tyneside glass-making family for her breakthrough
They fought for their ‘mother country’ yet the Windrush generation, who came to Britain from Jamaica to seek a better lives for themselves, were treated like the enemy.
Hadestown’s journey onto the stage of the National Theatre – and, indeed, its upcoming transfer to Broadway – has been as tortuous and precarious as the story it
The British way of coping with death generally involves a degree of sadness, black clothing and a period of mourning. But, after watching Natasha Gordon’s heartfelt debut play,
Do you mind not breathing down my neck and fingering my bottom? Rodney Ackland’s great disappointment, his ill-timed 1952 play, The Pink Room, is given another chance at