Our Winter season ensures Shakespeare’s spirit is alive in the most exciting writers of today and demonstrates that we are investing in those new voices in order to
Our winter season is full of dark comedy and satire, with productions exploring abuse of power, greed, lechery and human potential for change. The Royal Shakespeare Company’s 2018
Royal Shakespeare Company artistic director, Gregory Doran, today reflected on the life of the company’s co-founder, John Barton, who died today aged 89. It is with great sadness
Gregory Doran, artistic director of The Royal Shakespeare Company, today announced the launch of RSC Next Generation, a new initiative aimed at fostering future talent in young people
They say that King Lear is the pinnacle to which Shakespearean actors aspire. They start off their careers as a young Romeo, progress through Hamlet, into battle with
Antony Sher just can’t stay away from the Royal Shakespeare Company. He’s back this autumn, following up his performance in Arthur Miller’s Death of A Salesman with King
The Royal Shakespeare Company continues its exploration of the Bard’s History plays with Henry V opening at Stratford-upon-Avon, before being broadcast to cinemas and transferring to the Barbican
The Royal Shakespeare Company is marking the 400th anniversary of Shakespeare’s death in 2016 with a far-reaching national and international programme of productions and collaborations, celebrating the world’s
Tom Morton-Smith’s new play, Oppenheimer, about the Father of the A-Bomb, transfers into London’s Vaudeville Theatre this spring. The Royal Shakespeare Company’s acclaimed drama (read Stage Review’s verdict
Antony Sher is to make his third appearance for the Royal Shakespeare Company in two years with the announcement that he will play King Lear this coming winter.
Harriet Walter is set to join Antony Sherand Alex Hassell in Gregory Doran’s production of Arthur Miller’s 1949 Pulitzer prize-winning play Death of a Salesman for the Royal
You can’t avoid witchcraft in Jacobean drama and Gregory Doran has ended his Roaring Girls season at the Royal Shakespeare Company’s Swan Theatre with a story that is